That Floating Poo Was Way Too Symbolic! It's the TV Letdowns of the Year.

As we consider the TV landscape of the past year, a handful of series stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to confusingly bad docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

And Just Like That

Where to begin with this divisive spin-off? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series struggled to find its footing. For a moment, as the final season started, it seemed as if it had at last hit its stride. Then came an installment centered on Seema’s natural deodorant. No wonder the creator declared this would be the last season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Still, viewers certainly had a hoot picking apart every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who didn’t let out a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the smallest of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was difficult to know where to start listing the flaws. The hilariously leaden writing? The mind-numbing glorification of affluence and consumption? The almost wilful procession of tropes? Performances so poor they felt borderline malicious? Let’s just say “each and every one” and forget about this series again. Except, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence claims and fatherly shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this multi-part docuseries which chuckled along at Sheen’s various episodes of reckless excess while failing to tell us anything we weren't already aware of. Instead, it felt as if this loose cannon was being indulged, so any sympathy this show might evoke should be saved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Of course we knew it was ridiculous from the outset: a thriller about a AI known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One scarcely reacted when his character died, and the other ended up hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in empty boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to indulge baffling accents. But there were many other problems. Primarily that it was just profoundly boring; a dispute over narcotics territory between various cockney picaresques which seemed rather simplistic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s temptingly easy to admire the Duchess of Sussex’s televised ventures into quaint lifestyle as deliberate provocations. But then you watch them and are compelled to concede that in this case, they may have a point. It’s like watching a lifestyle magazine animated; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, buzzing beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be discussed about both Victoria Beckham and her journey with vocation, self-image, self-acceptance. But for whatever reason, this three-part series chose not to explore them. Rather, the experience was like consuming a marketing brochure. She obviously has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any helps with this cagey non-event of a series.

The Game Show

It had the potential to be the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what exactly was happening. Even more disappointingly, we only saw brief appearances of the star via prerecorded videos. The show ended up smelling of a programme that was trying way too hard to live up to something way beyond it.

The Lena Dunham Romcom

How does one follow a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was a delight to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted younger comics, expectations were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known ranting mode. The behind-the-scenes sketches, meanwhile, simply inspired the thought that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely breezy, slightly stylised farce to ultimately, real-life horror. Complex? Perhaps. A total mess? Very much so.

Prime Target

We admire the star … but did we believe him playing the greatest maths genius in history, a man so intelligent he’s on the verge of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about government agencies spying on – and eliminating – academics honestly got more farcical by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest feat yet. What on earth would motivate her? What we craved was way more examination of her true psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son away from the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Christina Gordon
Christina Gordon

A passionate digital content curator with a focus on UK-based blogging communities and trends.